Roger Patterson's Cast Display

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Because the Patterson film is a cornerstone of Bigfootery, there is very little to be said about this film that has not already been said or noticed by someone else. Independently, another individual named William Parcher and I both discovered an interesting anomaly of the film’s timeline, regarding what is claimed as being a film of Patterson displaying the cured casts he made at the Bluff Creek film site.

In Meet the Sasquatch Chris Murphy claims that this scene of Patterson pouring plaster into a track was shot in Bluff Creek, and is of the trackway made by “Patty”, the subject of Patterson’s film.

The motion picture that this still comes from can be found here.

From page 43 of Chris Murphy’s Meet the Sasquatch:

The men then returned to the film site and examined the path the creature had taken along the sandbar. They observed and filmed the creature’s footprints in the soil and later made plaster casts of the left and right foot. In that part of Bluff Creek, there is a sandy clay soil with a blue-gray tinge. This type of soil holds footprints remarkably well for a long period of time. The footprints measured about 14.5 inches/36.8m (sic) long by 6-inches/15.2cm wide. Gimlin jumped off a log to see how far his footprints would sink into the soil in comparison with the creature’s prints. The results were that the creature’s footprints were deeper. Patterson also took movie footage of this experiment together with footage of horse prints alongside the creature’s prints. Gimlin filmed Patterson making casts and also displaying the finished casts as seen here.

So Murphy, at least, is claiming that these films were made, at maximum, within a few hours of each other.

Here are two stills that show Patterson’s cast display:

It appears that these two “display” images are from another motion picture, though I am by no means sure of that. A few seconds of that motion picture is found at about 5:36 into this YouTube segment.

The great and glaring discrepancy in this timeline is Patterson’s obvious heavy beard stubble seen in the “cast display” photos, while he is clean shaven during the “pour” sequence. He also has either changed his trousers or laundered them, as the plaster stain seen in the “pour” sequence is missing in the “display” photos.

Jeff Meldrum in his book Sasquatch gives a different timeline. On page 143 Meldrum includes a “pour” photo and a “display” photo. The caption to the photos reads “Roger Patterson pouring a cast at the film site and displaying the cast UPON THEIR RETURN TO YAKIMA, WASHINGTON” (Emphasis mine)

Meldrum’s account of the events contradicts Chris Murphy’s.

Beyond the obvious timeline discrepancy that Murphy’s account suggests, one has to wonder what historical sources that both Meldrum and Murphy are using, as neither allude to original historical evidence in either of their books.

As well as the film development timeline, the “pour” and “cast display” film sequences continue to baffle and confuse the issue of exactly what went on and when with regard to the famous Bluff Creek film of an alleged Sasquatch.

One potential resolution of this dilemma may be what Grover Krantz alluded to on page 32 of his book Big Footprints:

‘The shape of a footprint can be dug into the ground with the fingers and/or a hand tool, the interior pressed flat, and it can then be photographed or cast in plaster. My first footprint cast was made by a student in just this manner (Fig.10). Roger Patterson told me he did this once in order to get a movie of himself pouring a plaster cast for the documentary he was making. (A few days later, he filmed the actual Sasquatch; See Chapter 4).’

It’s possible that the “pour” film sequence that Murphy claims was shot at Bluff Creek AFTER the film subject walked by was what Patterson shot for “the documentary he was making” BEFORE the alleged Sasquatch was filmed.

Further discussion of the Byzantine minutea of the film can be found in this rather Brobdingnagian skeptical thread.

via Roger Patterson.

Sasquatch Footprints: Can Dermal Ridges be Faked?

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This essay was originally published in the journal Northwest Science, Vol. 62, No. 3, 1988 pages 129 and 130. A PDF version of the article is found here:

I’ve taken the liberty to re-post it here, to put into HTML. The original illustration is not included here. A short discussion of mine follows Bodley’s essay.

Sasquatch Footprints: Can Dermal Ridges be Faked?

John H. Bodley, Department of Anthropology

Washington State University Pullman Washington 99164-4910

Introduction

In May 1987 six very fresh giant human-like footprints (approximately 45 x 15 cm) were discovered in the

Blue Mountains of southeastern

Washington State by myself and a student. These

tracks resembled those that have been reported

throughout the Pacific Northwest and which

some attribute to the Sasquatch, or Bigfoot, a

legendary, bipedal, human-like creature (Green

1978). With the exception of a single scuff mark,

and one print over a bent shrub, each footprint

was a complete, very clear impression, approximately one centimeter deep in the firm damp

soil of the trail, or somewhat deeper in the softer

soil beside the trail. These particular tracks were

of special interest because they were extremely

fresh and because upon close inspection they

were found to contain distinct impressions of dermal ridges. Dermal ridges are the tiny swirls or

concentric ridges on palms and digits of hands and feet that leave “finger prints” or “toe prints.”

Such friction skin is found only in primates.

Given the presence of the ridges, the general

crispness of the footprints, and the fact that it

had been raining lightly during the afternoon the

prints were found, it seemed likely that the prints

were perhaps only a half-hour old when first

found. Unfortunately, the ridges did not transfer

to plaster of Paris castings that were made the

following day. These casts were made by Paul

Freeman who, unlike us, had the necessary

materials with him.

However, several years earlier, in June of

1982, plaster casts made by Paul Freeman, then

a U.S. Forest Service patrolman, from similar

tracks in the same general region did yield

distinct dermal ridge impressions.

Casts of these

earlier tracks were analyzed by several dermatoglyphic experts (including Douglas M. Monsoor, a Colorado

criminologist; Robert D. Olsen,

with the Kansas Bureau of Investigation, and Edward Palma and Benny Kling, with Wyoming law

enforcement offices) who all concluded that

it would be extremely difficult, if not impossible,

for someone wishing to make fraudulent

“Sasquatch” tracks to also produce such fine detail

as these ridges (Krantz l983). They all found the

pattern consistent with foot arrangements, and not

patched together from several hand impressions.

Even though Krantz’s analysis of the 1982 casts

led him to discount the possibility of deliberate

faking in that case, the circumstances of the 1987

tracks led me to test the feasibility of artificially

producing prints of dermal ridges. I was especially puzzled by the remarkable perfection of the

tracks and their distribution along the trail.

Although the tracks were randomly distributed

along a quarter-mile stretch of trail over basically

uniform ground, only a single pair of sequential

left-right prints were found. The other associated

print was a single scuff mark found 10 meters

up the trail from a print very deeply pressed in-

to the center of the trail. It was difficult to ex-

plain why so few tracks were found on so much

available soft soil. The possibility that they had

been artificially planted could not be ruled out,

but it was necessary

to account for the presence

of the detailed dermal ridge impressions.

Krantz (1983:72) reported that some critics

had speculated that dermal ridges could be produced using rubber castings. He also observed

that the wind-blown loess topsoil of southeastern

Washington was fine enough to hold the imprint

of dermal ridges and demonstrated

with his own

thumbprint that ridges could be transferred from

skin-to-soil and then to a plaster cast. I was interested to see if entire footprints could be produced, complete

with such ridges. The purpose

of this experiment was to determine if dermal ridges could in fact be produced in a deliberately faked footprint.

Methods

In order to produce dermal ridges, a mold of a

44 cm Sasquatch-like footprint was shaped from

modeling clay. I then carefully rolled my bare

big toe in the soft clay to leave clear dermal ridge

impressions.

I rolled my heel across the heel of

the mold, and imprinted my forehead on the

center of the clay footprint. Additionally, impressions of hand and feet skin were made with

Elmer’s glue and dried pieces of glue pressed

into the clay. Plaster of Paris was then poured

into the mold and allowed to harden. Upon removal, impressions of dermal ridges were clearly

visible in the resulting cast. An outline of the

track was then traced on the damp ground, the

soil beneath was loosened with a screw-driver,

and the plaster cast was pressed firmly into this

prepared soil, In order to make a good impression, it was necessary to stamp on the cast. (The

cast was broken in the process, but this seemed

not to affect the impression). Fresh plaster was

then poured into the impression in the soil, and

the second cast was examined. It also faithfully

reproduced the dermal ridges that were imprinted into the original clay mold.

Discussion

Under the right soil conditions, impressions of dermal ridges can easily be transferred from skin-

to-clay, from clay-to-plaster, from plaster-to-soil

and finally from soil back into plaster. Even more

remarkable was the transfer from first skin-to-

glue and then into the same transfer sequence:

clay to plaster to soil and into plaster again,

although the resulting cast in this case was a

“negative” print.

Krantz (personal communication) readily

recognized that the resulting cast I produced was

a clumsy fake because of the crudely-shaped toes,

and seven dermatoglyphic experts (certified latent

print examiners in Washington, Oregon, and

California, and another visitor from Scotland

Yard) readily determined that the ridges were not

correctly situated.

Dermal ridges can be faked in footprints with

relative ease, at least under certain soil conditions. This experiment certainly does not prove

that the specific tracks examined in May 1987

were fakes, but it does suggest that any purported

sasquatch prints containing impressions of dermal ridges need to be carefully evaluated for the

possible presence of patching or other irregularities throughout the entire footprint.

Acknowledgments

The author was accompanied in the field by

Lonnie Somer, a graduate student anthropology at Washington State University.

Grover S. Krantz provided the contacts that made

this field investigation possible, and showed my

creation to the fingerprinters. My son, Brett

Bodley. prepared the glue skin impression.

Literature Cited

Green,John. 1978. Sasquatch: The Apes Among Us. Seattle:

Hancock House.

Krantz, Grover S. 1983. Anatomy and Dermatoglyphics of

Three Sasquatch Footprints. Cryptozoology 2:53-81.

Received 2 January 1988

Accepted. 15 February 1988

I discovered this essay only recently, after having done my own tests to see if textures as fine as dermal ridges could really be captured in natural substrates, and then in cement casts. Indeed, one test I did with my own foot impressed into ordinary potters clay led to a spectacular capture of my own dermal ridges:

A close up photo clearly shows my own dermal ridges. I never did follow through and impress this cast into natural soil as Bodley did. Casting cements such as Ultracal and Hydrocal are significantly stronger than ordinary plaster of Paris. It might be interesting to see if casts made with these higher strength casting compounds would resist breakage better than plaster of Paris.

Screeds and Essays

Dermal Ridges and "Scars"

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The claim has been made that purported Sasquatch foot casts contain textures that represent healed scars. One of the most notable is that of “Wrinkle Foot”, a set of right and left foot casts brought forth by Paul Freeman.

Unfortunately, A formal paper detailing the analysis of the surface detail of “Wrinkle Foot” has not been forthcoming at this point. A short account did appear in the November 2000 issue of Fate magazine:

The “scar” texture of “Wrinkle Foot” is not detailed at length in Jeff Meldrum’s Sasquatch book. From page 255:

What most impressed Officer Chilcutt were multiple examples of healed scars that appeared on a particular pair of casts from the Blue Mountains in southeastern Washington, where the soil has a high content of loess. Dr. Krantz had previously referred to these casts as “Wrinkle Foot” due to the extensive indications of coarse dermatoglyphics. The deep, clear footprints were found in wet mud and preserve much detail of the skin surface. Chilcutt reasoned, “If this animal is walking through the wilderness, he’s bound to come across rock and rough terrain that will cut the bottom of his foot. As the wound heals, the ridges curl inward toward the scar.”

A photograph at the top of page 257 is captioned “Close-up of ridge detail showing healed scar”. Unfortunately we are not told explicitly if this is “Wrinkle Foot”, but it appears to be. No metric is included in the image in Meldrum’s book.

Here is a photograph of the texture in question. Remember, this is a multiple generation cast copy, and so is not as sharp as the original. Nevertheless, even with this copy we can see the main line of the “scar” with small lines branching off the sides. I have intentionally included my own fingers in the photograph to illustrate how much larger this texture is than human dermal ridges. The size of the feature alone is grounds for reasonable skepticism that this represents real primate dermal ridges.

Recently, a surprising image was forwarded to me from a friend of mine in Arizona, Brenden Bannon. Brenden cast a track he made using a fake rubber foot to impress mud in his back yard. The result is striking, as a surface texture similar to the “scar” of “Wrinkle Foot” spontainously appeared running across the “ball” of the foot:

Here is a close-up of the texture in question:

Upon close examination, small lines can be seen that connect to, but radiate away from, the main fissure.

While Bannon’s cast is a preliminary finding, it would seem to cast doubt on the notion that the texture seen on “Wrinkle Foot” is strong evidence of Bigfoot’s dermal ridges. It may be the texture is related to a suction effect, or to a cement-substrate interaction, or both.

Florida “Giant Penguin” Hoax Revealed

The following essay is from the ISC (International Society of Cryptozoology) Newsletter Volume 7, No. 4 Winter 1988, pages 1 to 3. It’s unclear who the author is, but I suspect it may be the editor, the late Richard Greenwell.

Readers versed in cryptozoological lore will recall the case of the “giant penguin” footprints found on a Clearwater, Florida, beach in 1948.

The well-publicized incident attracted the attention of naturalist Ivan T. Sanderson, who conducted a 2-week, on-site investigation, resulting in a 50 page technical report. He summarized the case in his 1969 book More Things, expressing his conviction that the case was authentic.

Sanderson noted, for example, that “the tracks invariably followed the gentlest gradients even at the cost of considerable meandering and, secondly, that they meticulously avoided all possible snags and obstacles even down to the smallest bushes… these are, one and all, typical animal traits.” After discussing a series of anatomical features brought to light by the footprints, Sanderson went on to evaluate the possibility of hoaxing.

After reviewing and dismissing the possibility of machine-made prints, he discussed the man-made possibility: “If made physically by a man, either with devices strapped to his feet or on stilts, how did he carry a ton on each leg – the absolute minimum that the road engineers said could have made the imprints even in soft ground? He manifestly could not…” Sanderson also described how some engineer friends were asked to design a machine which could duplicate the tracks, but they were unable to do so.

A giant, 15-foot tall penguin, Sanderson concluded, must be the explanation, one which “would obviously have to be a wanderer in Florida, out of its natural element and perhaps lost.”

Now, 40 years later, the truth about the enigmatic tracks has surfaced. In the June 11, 1988, issue of the St. Petersburg Times, writer Jan Kirby has revealed the nature of the hoax. The Newsletter does not normally reprint articles. However, Kirby’s exposure is so well written and summarized the new information so succinctly, that an exception has been made – with the author’s permission. A slightly abridged version follows.

Clearwater Can Relax Monster Is Unmasked

The year was 1948. In Clearwater, Fla., a town of about 15,000, crazy things were happening. On a morning in February, a resident out for w walk on Clearwater Beach discovered what looked like the footprints of a monster and ran home to call the police.

The tracks were large – 14 inches long, 11 inches wide. They had three long toes with claws. Whatever had made them apparently had come out of the Gulf of Mexico at the south end of the beach and, taking 4-foot to 6 foot strides, had walked for more than 2 miles in the soft sand before returning to the water.

Over the next 10 years, the footprints of the “Clearwater Monster” appeared frequently: on Clearwater Beach, on Indian Rocks Beach, on the Courtney Campbell Parkway, on St. Petersburg Beach, on the beach at Sarasota. The “monster” also left prints on Honeymoon Island off the coast at Dunedin, along the banks of the Anclote River north of Tarpon Springs, and on the banks of the Suwannee River.

In July, 1948, four fliers from the Dunedin Flying School said they had seen the creature off Clearwater Bridge, and that it looked like a furry log with a head shaped like a hog’s. Because of the “monster” sightings, the “little town of Florida’s West Coast” made headlines and news broadcasts nationwide.

Ivan T. Sanderson, noted zoologist and science commentator for WNBC in New York as well as the science writer for the New York Herald Tribune, visited Florida in November 1948, to study the tracks along the Suwannee. Sanderson, who died in 1973, determined after months of study that the tracks had been made by some form of giant penguin. He called the creature “Florida Three-toes”.

A number of local people, including the police, believed the whole thing was a hoax. But they had no way to prove it, and no one ever came forward to admit it.

Until now.

Tony Signorini still chuckles when he thinks about the stories that sprung up to explain the footprints that he and the late Al Williams stamped into the sand.

Williams was a notorious prankster in Clearwater in the 1940’s and 1950’s. Just for fun, he once sneaked a horse into the holding area of the Clearwater police station. Another time, because he loved to play tricks on the fire department, he set off flares in his business, Auto Electric. The fire department showed up all right, and the flares provided quiet a show, but as a result the building was badly damaged.

Signorini, who was Williams’ partner at Auto Electric, and, with his son and daughter, still runs the business on Greenwood Avenue in Clearwater, said Williams came up with the idea for the “monster” tracks. It seemed an appropriate prank: The Loch Ness Monster was still making news. Dinosaur remains had been dug up near Albuquerque, New Mexico, the year before, and during the war years Gulf residents had been constantly on the lookout for German submarines.

When Williams died in 1969, he left the secret of the “Clearwater Monster” with Signorini for safekeeping. Encouraged by his friends Bud and Joanne Lobaugh of Largo, SIgnorini agreed to bring the “monster” out of hiding. All these years, the “monster” was tucked away in its cardboard box under a workbench at Auto Electric. The real “monster” is a pair of cast iron feet with high-top black sneakers.

Signorini lifted the feet, each weighing 30 pounds, out of the box and put them on. “You see, I would just swing my leg back and forth like this and then give a big hop, and the weight of the feet would carry me that far,” Signorini said, explaining the 6 foot stride of the creature. “The shoes were heavy enough to sink down in the sand.”

Signorini said the idea for the big three-toed footprints came from a picture of dinosaur tracks. After several tries at making the feet, Williams and Signorini decided concrete was not heavy enough, so the molds for the tracks were taken to a foundry in St. Petersburg. The resulting cast iron feet were ideal.

Holes were drilled into the tops of the feet and the sneakers wet in place with screws. When the inner soles of the shoes were glued in place, the “monster” was ready.

A rowboat supplied by a friend brought the “creature” to shore. “We would go out nights with not too many waves or beach walkers around.” He said. The “monster” came out only at night. “I put the shoes on in the water, and then walked a long way, maybe 2 miles, up the beach and then got back in the boat,” Signorini said, grinning. “I had to be careful the water was not too deep when I had them on.”

“Other times,” he continued, “we would take them in the care and carry them to where we wanted to make the tracks. Then we’d take a palm frond and brush away all the footprints we’d made while we were doing it.” At the Suwannee River site, “we stayed on property belonging to a friend named Al Spears. After we found some good places along the river, we waded in the water and carried the feet. Then I’d put them on where we wanted to make tracks.”

Clearwater police were skeptical about the existence of the monster from the beginning, and suspected that Al Williams might be the culprit, said Frank Daniels, who retired in 1981 after 32 years on the force, the last 13 years as chief.

“I don’t think any of the Clearwater cops took it seriously,” Daniels said. “We suspected Williams because he usually called in the reports of the monster and was such a local prankster, but we cold never prove it. When a pilot flying over the beaches reported seeing something furry with a head shaped like a hog’s in the Gulf, we suspected Williams because he flew his own plane.”

“You know, that’s a funny thing,” Signorini recalled with a smile, “because we never knew who was flying that plane and made the report. It wasn’t us.”

Tony Signorini is to be commended for bringing these details out into the open after keeping them secret for 40 years. Not only does it finally close the file on a problematical cryptozoological case, it also provides a new piece of Americana for folklorists and sociologists to study – and enjoy.

The lesson to be learned within cryptozoology is, of course, fundamental. Despite careful detailed analyses by zoologists and engineers, which provided detailed and sophisticated mechanical and anatomical conclusions supporting the hypothesis of a real animal, we now see that, not only was the entire episode a hoax, but that it was perpetrated by relatively amateur, good natured pranksters, not knowledgeable experts attempting, though (sic) their expertise, to fool zoological authorities.

Although Sanderson was known as a colorful and sometimes eccentric individual, he was also extremely knowledgeable on many subjects, and had done more fieldwork than most zoologists do today. Even so, it seems that, in this case at least, he failed to identify the true nature of the phenomenon.

In his 1969 book, Sanderson stated: “That any man or body of men could know so much about wild animal life as to make the tracks in just the manner that they appear, but that they also should be able to carry this out time and time again at night without anybody seeing them or giving them away… is frankly incredible.”

And yet, that is exactly what happened. The Clearwater Monster or giant Penguin may now be inducted into the Cryptozoology Hall of Fame as one of the best and most colorful hoaxes of all time.

………………………………………………………………………………………………………………………………………………..

Sanderson also opined on the nature of cinematic illusion, as in this passage from one of his last books More Things chapter 5:

Even in the late 1920s the “dinosaurs” in the film of Conan Doyle’s The Lost World were utterly realistic–close-ups of their heads showed drooling saliva, nictitating membranes, and flashing eyes. (Incidentally, these “dinosaurs” were wearing skillfully constructed “suits” made by a man who had a degree in paleontology, and were fitted over live chickens!)

In fact the special effects seen in The Lost World were done by Willis O’Brien and were of the “stop motion” variety, which uses small models that are moved slightly and photographed frame by frame:

O’Brien later went on to do the special effects for King Kong, using the same technique. Thankfully, no live chickens were inconvenienced in the making of either King Kong or The Lost World…

Another interesting insight into Sanderson is given by, of all people, James Randi! Randi evidently knew Sanderson personally, and recounts how Sanderson seemed to ignore critical thinking when promoting his books:

I knew Sanderson well. Ivan was a “character” in every way, a man who kept an odiferous cheetah named “Baby” in his New York apartment for weeks on end when he felt like it, and even slept with the beast. He had the claw marks to show for it. He was in the business of writing books about strange subjects, and he would never allow ugly facts to interfere with an otherwise attractive story. In person, he left no question about his doubts; in print he successfully resisted expressing any really serious reservations he had.

The Mysterious Creature in Ice

The following is from a photocopied fanzine called “Freaks” published from 1996 to 1998 by Chris Fellner. Fellner put out 15 issues in all, and the following article appeared in #8 in February 1997. Fellner is also the author of this essay. I’ll include some of my own commentary in italics as a postscript following this essay.

My thanks to our former road manager Jan Gregor, for photocopying and mailing me this essay.

Hairy and horrible – It baffled science!

It was about six feet tall, covered with a thick coat of hair, and seemed to be a cross between a monkey and a man. I say “seemed to be” because the thing was frozen inside a cloudy block of ice, frustrating any attempts to take a good, close look. It would have been just another clever carny “gaff” if a couple of Abominable Snowman buffs hadn’t caught wind of it and stirred up a fuss.

Here, for the first time, is the story behind “The Mysterious Creature in Ice.” Read the facts and decide for yourself – was it really a Snowman or just a Snow-job?

The saga of The Creature begins with an innocuous item in the July 29, 1967 issue of Amusement Business, the “bible” of the outdoor entertainment industry. Titled “New Creature Show Bows,” the article went as follows:

“Among the outstanding back-end shows making its debut this season is Frank Hansen’s Siberskoye (Siberian) Creature. It apparently rolled up the record grosses with the No. 1 unit of Bobby Cohn’s West Coast Shows at the Portland (Ore.) Teen-Age Fair, with similar success at the Seattle and Omaha teen expositions.

“Kudos came from Don Burton, producer of the Portland event, who termed it ‘one of the cleanest and best conducted attractions we’ve ever had in our six years of producing fairs,’ and Joe Gunson, internal auditor for the KOIL (Good Guys) Teen Fun Fair in Omaha, who reported the Creature drew 40 percent of the approximate 58,000 attendance. Tab was 35 cents, 25 cents for kids.

“Bookings to date include the independent midways at the heart of Illinois Fair, Peoria; Wisconsin State Fair, West Allis; Minnesota State Fair, St. Paul; Kansas State Fair, Hutchison; and Oklahoma State Fair, Oklahoma City.

“A retired air force pilot, Hansen entered show business last year with his ‘Mystery Machine’ after it was returned to him from the Smithsonian Institution. He wound up at the Arizona State Fair in Phoenix, then moved to California to frame the new unit at an estimated cost of $50,000.

“The Creature is framed in a 40-ft. semi which can be folded up and on the road in 45 minutes. Trailer has paneled walls, carpeted floors, individually lighted, airline-type steps and watchman’s quarters in front. Camper-type quarters are air-conditioned and carpeted, with shower, lavatory, refrigerator, stove, oven and self-contained water, waste and electric units.

Exhibited in a specially-designed refrigerated coffin which maintains 10 below zero at all times, the ‘creature’ is frozen in a 3,000-pound block of ice, clearly visible through a double thermo-glass top which prevents frosting and acts as a heat barrier. A portable electric generator supplies power on the road and for emergency use on location”

So the Creature, whatever it was, had its origins in California in 1966, when it was framed by a retired air force pilot, Frank Hansen, for the 1967 season. A photo in the Amusement Business article showed that it was really a modern variation of the old-time “pit shows.” One side of the exhibition trailer stood open so that anyone passing by could look inside and see customers gathered around the Creature’s coffin. Simple curiosity would bring ‘em in.

The Creature made the round of fairs for a couple of seasons – then suddenly the poo-poo hit the fan…

In 1969, Dr. Ivan T. Sanderson was the goateed, distinguished-looking “science editor” for the brash men’s magazine Argosy, based in New York City. He also was a self-proclaimed authority on the so-called Abominable Snowman. In fact, Sanderson was a Snowman “apostle,” tirelessly trying to spread the word to unbelievers through his “Society for the Investigation of the Unexplained,” which he ran out of his home in Columbia, Warren County, New Jersey.

In the May 1969 issue of Argosy, Sanderson boldly declared that he had finally found what he was looking for – a real Snowman!

“I must admit that even I, who have spent most of my life in this search, am filled with wonder as I report the following,” he gushed. “There is a comparatively fresh corpse, preserved in ice, of a specimen of at leas one kind of ultra-primitive, fully-haired man-thing, that displays so many heretofore unexpected and non-human characteristics as to warrant our dubbing it a ‘missing link’…”

What had thrown Dr. Sanderson into joyous rapture was none other than Frank Hansen’s Siberian Creature.

In his Argosy article, Sanderson described how he had made his momentous discovery:

“Early in January of this year [1969], I was sitting at my typewriter and staring at nothing… when the phone rang. The caller was a Minneapolis man who introduced himself as a zoologist and owner of an animal import-export business specializing in reptiles… After a general chat, this fellow told me he had just returned from Chicago where he had visited the famous annual Stock Fair. While there, he had inspected a side show which consisted of a single large coffin in a trailer-truck. In this coffin, which was glass-covered and brightly lit with strip lights, there was a huge block of ice, about half of it as clear as the air in the room, the rest frosty or darkly opaque. In the ice was the corpse of a large, powerfully built man, or ‘man-thing,’ completely clothed in dark, stiff hair about three inches long. My informant urged me to go take a look at it, since he, being a real student of what we call ABSMery (abominable-snowman-related information) and having read everything available on the subject, felt that it was the real thing, despite it being a mystery.”

Sanderson’s anonymous informant must have been persuasive, because, according to the good doctor, “that little bell rang inside me as it used to when I discovered a new animal while collecting professionally for zoos and museums. I started packing one of our station wagons with my traveling office and recording equipment.”

Let me stop here a minute and make a couple of observations. What we have so far is this: a guy who runs a pet business happens to be a Snowman nut. (There are hordes of ’em, all sniffing around for Bigfoot or whatever, trying to inject some excitement into their pointless little lives.) This guy calls up the dean of Snowman “investigators,” Ivan Sanderson, and says that a carny grind show is really a staggeringly important scientific discovery. Sight unseen, Sanderson’s uncanny instincts tell him that the guy is right. That’s the story so far.

I don’t know about you, but I’m already pissed by the underlying arrogance of Sanderson’s account. Like Millions of “marks” before him, he naturally assumed that he was smarter than any carny could ever be. Did he really believe that a showman could own “the find of the century” and not know what it was? Or, even worse, did he think that a showman could know that he had a “real” Abominable Snowman and still be stupid enough to charge pocket change for folks to look at it? Let me put it to you this way: If you had a “real” Snowman, would you haul it around the carny circuit, making peanuts, or would you be on the front page of every newspaper in the world, raking in millions of dollars? Think about it. Now back to Dr. S…

In his account, Sanderson went on to mention that, in the same house where he worked (presumably his own) was “just about the only man in the world fully qualified to pronounce upon such an item as this, Dr. Bernard Heuvelmans, of the Royal Academy of Sciences of his native Belgium, and author of, among others, a book entitled ‘On the Track of Unknown Animals’…”

In other words, Dr. Heuvelmans was a fellow Snowman nut.

“I am not going to pinpoint just where we went at this time,” Sanderson wrote, “other than to day that it was west of the Mississippi, because I know only too well what publicity can do, so I respect the plea of the gentleman [Frank Hansen] in whose care this exhibit is stored during the winter season – especially because it is on his private property.”

As we’ll see, Sanderson didn’t respect another of Hansen’s requests – that the creature not be represented as authentic.

Sanderson went on to describe how he and Heuvelmans traveled to a distant motel, where they stayed overnight before setting out the next morning to visit the Creature’s caretaker. “We got there,” he reported. “by back-tracking and using a compass” – [I guess they forgot their road map!] – “and eventually barreled into a beautiful snow-covered garden surrounded by a grove of planted conifers. And there stood a lovely ranch-type house on the one hand and a large trailer truck on the other. We were most graciously received, and, in fact, invited to stay as house guests.”

After some chit-chat, their host, Mr. Hansen, donned a parka, and they all went out to the trailer to stare at the Thing. It was a moving experience for Sanderson.

“Looking at the body of a descendant of one of my possible ancestors – especially since it looked as I had always expected it would – really shook me up,” he confided. “We spent the afternoon photographing it. I held the lights and things for Bernard while he tried to get shots in under the opaque parts of the ice. We left at sundown.”

The next day, the two scientists fetched some “added equipment” and drove back up the mountain to rejoin their “charming host and hostess.” They spent that evening and the next morning snooping around the Creature. In his article, Sanderson described what they found:

“On the whole, Bozo, as we nicknamed him, is a very sturdy, approximately six-foot-tall ‘human,’ covered with two – to four-inch, stiff, but thickly growing hair, except on the soles of his feet, the palms of his hands, his penis and his face. He has nails, not claws or ‘overgrown’ nails, on both his hands and feet. He has practically no neck, the muscles from the side of his head forming a great triangle that flows into his shoulders, which are very wide and constructed like those of a powerful human wrestler. His torso is what is commonly called barrel-shaped and it tapers down, not to a waist, but to rather narrow hips. His legs are actually about the standard length for a six-foot man, but his arms are longer than the average.

His most outstanding features, and those which strike one first, are his hands. They are enormous, rather spatulate, but of entirely human proportions – except for one feature. This is the thumb, which is slender and excessively long, reaching, it seems, almost to the last joint of the first or index finger. The feet are more than ten inches wide, measured across the toes. The toes are larger and both stuffy and ‘tubby,’ and the little toe is almost as big as the others. The feet and the toes are covered with many long hairs that appear to be very stiff and curve, down. Most significant, however, is the fact that the big toe lies alongside the next one, as it does in us (it is what is called apposed, as distinct from the big toe of the apes which is opposed like our thumb). This is the one and almost only clear distinction between men (Hominids) and apes (Pongids).

“Bozo’s face is his most startling feature, both to anthropologists and anyone else – and for several reasons. Unfortunately, both eyeballs have been ‘blow out’ of their sockets. One appears to be missing, but the other seems (to some, at least) to be just visible under the ice. This gives Bozo a gruesome appearance, which is enhanced by a considerable amount of blood diffused from the sockets through the ice. The most arresting feature of the face is the nose. This is large but fairly wide, like that of a Pekinese dog – but not like that of a gorilla, which actually doesn’t have a nose, per se. The nostrils are large, circular, and point straight forward, which is very odd. The mouth is only fairly wide and there is no eversion of the lips at all. His ‘muzzle’ is no more bulging, prominent, or pushed forward than is our own; not at all prognathous like that of a chimp. One side of the mouth is slightly agape and two small teeth can be seen. These should be the right upper canine and the first premolar. The canine or eye-tooth is very small and in no way exaggerated into a tusk, or similar to that of a gorilla or a chimp. But – to me at least – the most interesting features of all are some folds and wrinkle lines around the mouth just below the cheeks. These are absolutely human, and are like those seen in a heavy – jowled, older white man.”

In short, the two less-than-objective investigators found what they wanted to find – a “real” Abominable Snowman!

Sanderson declared: “Let me say, simply, that one look was actually enough to convince us that this was – from our point of view, at least – the ‘genuine article’” – an amazing statement, coming from a so-called scientist!

Sanderson proceeded to explain why Bozo couldn’t possibly be a gaff:

“You just cannot ‘make’ a corpse like this, either out of bits and pieces of the bodies of other animals, or of wax, with some half a million hairs inserted into it,” he stated. “And you can’t get the kind of hairs that cover this corpse from any other kind of animal that I know of. Also, the proportions of this body, and several of its special features, are just not known at all – or, at least, have never been suggested either by paleontologists who have studied the fossil bones of primitive man-things, or even by the skilled artists who have fleshed out and made reconstructions of what the former have found. In fact, any ‘artists’ setting out to ‘make’ such a thing would have to have a model, and none is available. But, apart from that, you can’t completely fool two trained morphologists with zoological, anatomical and anthropological training. No! Bozo is the genuine article.”

It doesn’t take a genius to poke holes in Sanderson’s argument for “Bozo’s” authenticity. First, he says that “You just cannot ‘make’ a corpse like this, either out of bits and pieces of the bodies of other animals, or of wax, with some half a million hairs inserted into it.” Why not? Didn’t he ever hear of the Feejee Mermaid (half fish and half monkey)? As for inserting hairs into wax, maybe Sanderson should have visited the “Ripley’s Believe It or Not!” Museums, where he would have found two life-size wooden statues of the Japanese artist Hananuma Masakichi. Masakichi-san created the perfect likenesses of himself when he thought he was going to die young from tuberculosis. He plucked every hair out of his body (including pubic hair) and painstakingly inserted them into tiny holes drilled into the statue’s solid wood. Compared with that feat, putting hairs into wax would be a piece of cake.

Next, Sanderson says “you can’t get the kind of hairs that cover this corpse from any other kind of animal that I know of.” Well, maybe that’s because it wasn’t real hair! In any case, I defy anyone to identify where some hairs came from by looking at them through a cloudy block of ice! It takes microscopic examination to positively identify hair samples.

Then Sanderson declares that “the proportions of this body, and several of its special features, are just know at all…” Well, that could have been because the Creature was the creation of somebody’s imagination! That possibility must not have crossed Dr. Sanderson’s mind.

(The original Argosy caption reads; Right: Line drawing showing measurements taken from block of ice containing Missing Link. Creature’s characteristics include short neck, arms reaching to knees, disproportionate hands and feet and extremely husky body. These features agree largely with what is known of the classic Neanderthalers. Some scientists, mostly Russian and Mongolian, have held for years that scattered populations of these pre-historic men still survive in remote areas.)

Most amazingly, Sanderson states that “any ‘artists’ setting out to ‘make’ such a thing would have to have a model, and none is available.” I beg your pardon? Why would somebody need a “model” to create an ape-man creature? You fashion a wire frame; you get some skins; you make the face, hands, and feet out of rubber; you freeze it all in a block of ice. There- that wasn’t too hard to imagine, was it?

Here’s something else that Dr. Sanderson apparently never thought of… Maybe that block of ice was there to obscure, not to preserve!

Sanderson went on to say that “the agent who has handled this exhibit and who acts as caretaker for it during the winter off-season told me that it was first heard of through a group of Americans whose official duties took them back and forth across the Pacific. From these, it was learned that this ‘curiosity’ was lying in a 6,000-pound block of ice, in a sort of super plastic bag in a large commercial deep-freeze unit in Hong Kong. It was offered for sale, by an exporter who is in the business of marketing all manner of goods, including curios. It was bought by an American.

“The seller offered various stories as to the origin of the thing. According to one, it was found floating in a block of sea-ice in international waters somewhere in the Bering Sea by a Russian sealing ship, and was hauled aboard and put in the hold. The ship put into a Chinese port and the Chinese authorities seized the specimen and off-loaded it, whereupon it ‘disappeared’ into Red China. By this account, the specimen (still in some 6,000 pounds of ice) finally turned up in Hong Kong.

“An alternate story told how it was found by a Japanese whaling outfit somewhere off the coast of Kamchatka, taken to Japan and then sold to the exporter in Hong Kong. There are also other versions, but none can be confirmed; no names of any ships involved have been ascertained, and nothing further is known.”

It sounds like Sanderson and Huevelmans were being fed a lot of ripe “baloney,” which they eagerly devoured. Despite their university degrees, they were still just a couple of “marks,” ready to fall for some good, old-fashioned flim-flam. Frank Hansen, however, was more straight-forward with them than they deserved or appreciated. As Sanderson described it:

“There was an initial almost furious resistance to any suggestion of publicizing this thing in any way, thought I was shown published write-ups of it in trade magazines.”

The big difference, which apparently escaped Sanderson, is that he wanted to publicize the Thing as “authentic,” whereas the so-called trade magazines – which presumably included Amusement Business and other show-biz publications – recognized. Hansen’s creature for what it was: a show.

Sanderson went on: “It was explained that the owner ‘did not want to fool the public’ and had therefore billed this exhibit as a mystery, and as most probably being some kind of Oriental fakery. Moreover, he does not want to know what the thing in the ice really is because, if it is a phony, he feels that by advertising it as some sort of ‘ice-age man,’ he would be committing a fraud on the public.”

Well, it sounds like Hansen gave Sanderson and Heuvelmans as much of the “straight skinny” that he could – but to no avail. In a postscript to Sanderson’s article, Heuvelmans laid it on the line:

“For the first time in history,” he declared, “a fresh corpse of Neanderthal-like man has been found. It means that this form of Hominid, thought to be extinct since prehistoric times, is still living today.

“The long search for the rumored live ’ape-man’ has at last been successful…”

Heuvelmans proceeded to describe the Creature and to repeat Sanderson’s reasons why it couldn’t be a fake. He then added an observation that Sanderson had failed to mention:

“The peculiar structure of the ice and the presence of a pool of blood around the head show that, immediately after death, the corpse was placed in a freezer tank and filled with water and artificially frozen.

“The specimen was apparently killed by a large caliber bullet entering the right eye. The impact blew out the rear of the skull and forced the left eye out of its socket.”

On that Gruesome note, Heuvelmans concluded his statement:

“To sum up, this specimen is a contemporary representative of an unknown form of Hominid, most probably a relic of the Neanderthal type.

“The belief, based on strong testimonial evidence [called “hearsay’ and ‘tall tales” by us non-scientific types- C.F.], that small, scattered populations of Neanderthals survive has been held for years by some scientists, mostly Russian and Mongolian.

“A full scientific report of the resent finding, with a description of this new form of living Hominid under the name Homo Pongoides (i.e. “Apelike Man”) has been published in February [1969], in the ‘Bulletin of the Royal Institute of Natural Sciences of Belgium’ (Vol. 45 No. 4).”

End of story.

So, not only did Sanderson and Heuvelmans ignore Frank Hansen’s request that the Creature not be presented as authentic, but Heuvelmans rushed their “finding” into print a mere month after visiting Hansen. That, as they say, just ain’t cricket.

What amazes me the most is that purportedly reputable “scientists” would bestow a new zoological name on a grind show attraction that they had only peered at through a block of ice! That’s enough to give pseudo-science a bad name!

Well, after the smoke cleared, Hansen and his creature went their merry way, leaving our intrepid investigators looking pretty silly.

Six years later, in October 1975, the Creature came to my neck of the woods, New Jersey, where it was exhibited at the Monmouth Mall in Eatontown. The Oct. 31st edition of a local newspaper, the Asbury Park Press, ran the following item to publicize the event:

“EATONTOWN- Man or monster, illusion or real, these are two of the questions that surround ‘The Mysterious Creature in Ice.’

“No, it is not a Halloween hoax. There is something frozen in ice resembling an oversized man covered with hair.

“The creature, exhibited in a glass-enclosed, refrigerated coffin on a platform at Monmouth Mall this week, has been the center of controversy between scientists [Sanderson and Heuvelmans], who contend the creature is a missing link to man’s past, and its owner and exhibitor, who contends it is an ‘illusion.’

“Frank D. Hansen, Rollingstone, Minn., has taken the creature in its frigid coffin on tours of fairs and shopping centers throughout North America since 1968 [actually, 1967 –C.F.]. Hansen does not own the creature, and he would not divulge the owner’s name to The Press yesterday.

“Hansen said the creature was found on a fishing trip in the Bearing Straights, was thought to be a fish, and was sent to Hong Kong. From there it was sent to Long Beach, Calif., where its owner hired Hansen, a retired U.S. Air Force pilot and fair circuit exhibitor, to take the hairy creature on tours of the country.

“A Belgian scientist heard of the exhibit and the mysterious hairy figure in ice and came to the United States to examine it. Dr. Bernard Heuvelmans of Belgium’s Royal Institute of Natural Sciences, and Ivan Sanderson, science editor of Argosy magazine, together, after much pleading with Hansen, were allowed to examine the creature. In their examinations, the glass to the coffin was broken and the smell of rotting flesh filled the trailer where it was kept. It was then that the scientists knew the creature was real.

“However, when stopped on a crossing of the U.S.- Canadian border, Hansen said the creature was actually a fabricated illusion made to seem real. Even yesterday Hansen said the creature on exhibit was not real, adding that in due time the owner will turn the creature over to scientists to determine the validity.’

Hansen said about 200,000 people saw the creature during exhibits in shopping centers last year with an estimated $50,000 being made in profit. Hansen said half of this money was turned over to various charities.

“’If they (Heuvelmans and Sanderson) had not created such a big fuss and if Heuvelmans had kept his word, the owner would have probably turned it over to someone in 1969, and we would know whether it is real or not,’ Hansen said.”

Whatever the Creature was, it certainly qualified as one of the greatest grindshow attractions of all times, leaving a lasting impression on everybody who saw it. In the 11-11-96 issue of Circus Report, sawdust showman Don Bridwell recalled a memorable encounter with the Creature (or its close relative!):

IN the mid-1970s,” Bridwell wrote, “I played the Saginaw, Mich. Fair with a circus in front of the grandstand. I always loved the fair dates, as I’m a real side show devotee, having worked side show magic on the 1968 Carson & Barnes show myself.

I had plenty of time to check out the midway, and that year there were quite a few side shows and pit shows at the fair, including Ward Hall’s big 10-in-1; a Lion Girl single-O, a drug abuse show; and a number of others.

“The one that got my attention and has stayed with me all these years was a small, actually rather shabby-looking exhibit in a 24 ft. trailer, called ‘Big Foot.’

“I figured, why not? It was only $1.00, and I thought I might see at least a fair wax figure, or some decent put-on at least. What I did see has boggled my mind for a long time now.

“The front of the exhibit was a rather crude painting on plywood of the Sasquatch, the legendary ‘Big Foot’ character. Also some blown-up newspaper reproductions, giving stories of the Big Foot phenomenon over the years.

“Inside there was a large, about 9 ft. long, clear glass coffin, with climate control and refrigeration. Inside was a most definitely humanoid body, about 7.5/8 ft. tall, a totally nude male. The facial features looked much like a gorilla and somewhat like an Australian aborigine. The exposed skin was something like a deep suntan, very leathery. The hair line was sloped back, and the hair was a dark reddish brown.

“The body was hairy, but not overly so. A very muscular frame, the arms longer than normal for a man. The teeth were large and prominent, but not ‘fangs’ or canine at all. What was really startling was that the finger tips and toes were both calloused, and had whorls and characteristics of prints. You could stay in the exhibit as long as you cared to, and could examine the body extremely close. If this was s fake, it was the best one I had ever seen.

“Several years after that, there was a news story about a body of a Big Foot that had been exhibited at fairs and carnivals for a while and then totally disappeared.

“The author of the article, like myself, did not quite know what to make of it. I’m convinced this was the exhibit I had seen.

“Now with a recent documentary sighting and filming of a new ‘Big Foot’ in Northern California, apparently authentic, I wonder all the more whatever became of this strange and unusual exhibit that I had the opportunity of seeing.”

I’m not sure that what Mr. Bridwell saw was Frank Hansen’s original Creature, since Bridwell puts its height at nearly 8 feet, more than 2 feet taller than “Bozo.” And what Bridwell saw appears to have been less hairy than Hansen’s “Siberian Creature.” It may have been a rip-off of Hansen’s exhibit. If it was the original “Bozo,” then Hansen’s show had certainly fallen on hard times, going from a fancy 40-foot semi in 1967 to a seedy 24-foot trailer with a cheap plywood front a few years later.

I almost got to see “The Mysterious Creature in Ice” about 15 years ago, and now I wish that I had. It was on exhibit at the last New Jersey State Fair held at the old Trenton Fairgrounds. That must have been in 1980 or ’81. I remember recognizing the name of the show from the Asbury Park Press article of 1975, but, for some reason, I didn’t go in. As I recall, it was set up like a pit show, inside an open, canopy-like tent. I’ve never seen it since.

Acknowledgment: My thanks to Walt Hudson for supplying the info from Amusement Business.

I learned about the “Minnesota Iceman” as a child, as my mother collected magazines like Saga and Argosy for the Bigfoot articles. I totally forgot about the “Iceman” until I heard Loren Coleman lecturing about various cryptozoological issues several years ago. I was kind of shocked that he took the “Iceman” seriously. Since I was previously a sideshow performer, I was familiar with gaffs, and more specifically how sideshow is promoted.

The “Iceman” crops up in the Bigfoot world from time to time, though it seems to garner far less serious attention than other topics. Loren Coleman seems to be one of he few advocates who still promote it as being real.

For me as a former sideshow performer, the issue is really a “no-brainer”; the thing was a gaff from the beginning. I wholeheartedly agree with several of Fellner’s points. Just because Sanderson and Heuvelmans were educated individuals does not make them immune from being deceived, especially by those whose very job it is to deceive.

Fellner puts it well here:

I don’t know about you, but I’m already pissed by the underlying arrogance of Sanderson’s account. Like Millions of “marks” before him, he naturally assumed that he was smarter than any carny could ever be. Did he really believe that a showman could own “the find of the century” and not know what it was? Or, even worse, did he think that a showman could know that he had a “real” Abominable Snowman and still be stupid enough to charge pocket change for folks to look at it? Let me put it to you this way: If you had a “real” Snowman, would you haul it around the carny circuit, making peanuts, or would you be on the front page of every newspaper in the world, raking in millions of dollars? Think about it.

Ivan Sanderson in particular was an individual who was more than willing to embrace some really off-the-deep-end concepts. In particular, Sanderson claimed that large three toed tracks found in Florida were made by a 15 foot tall penguin!

Florida Giant Penguin Hoax Revealed

Sanderson certainly earned the appellation of “mark” for buying so strongly into a sideshow exhibit, but seriously advocating 15 foot penguins is really beyond the pale…